Soviet movies about love

Vam i ne snilos... A movie about two high school kids who meet in class and fall madly in love with each other. Unfortunately, His father and her mother had a history of their own between them which creates uneasiness in both of them. Also because of that, the boy's mother is very jealous and tries to separate them. The only person that tries to help them is their teacher who has relationship problems of her own.

Stories from the lives of the tenants of the Moscow's communal apartment: Kostik, who is a college student, lives with his aunt while studying; Arkady Velyurov who is a performing artist; Khobotovs, who are a divorced couple; and Sava, who is Margarita Khobotov's new fiancé. All these people live in one apartment and their lives constantly touch each other's.

An unexpected romance occurs for a female Red Army sniper and a White Army officer.

When mysterious Russian bandit named Artist came in USA, brave Russian special agent Fyodor Sokolov runs to States for defeat evil master.

A Russian agent is sent to a mission in Chile as a punishment. While there, he continues his adventures in a massage parlor where he meets Paola - a young prostitute he falls in love with.

The 1975 film by Georgi Daneliya "Afonya" was an unexpected commercial hit in USSR. The main character "Afonya" Borshev is a plumber, who spends his life partying with "buddies", many of whom he doesn't even remember after nights of heavy drinking. His wife leaves him, his boss places him on probation, his whole life is falling apart, but he doesn't realize it. Afonya met Katya at a dance club, yet didn't pay her much attention. But she is the one, who can save him... In this movie Daneliya achieves a perfect balance of satire and drama. Quotes from the movie gained a cult status in USSR.

An interstellar expedition is sent to study a strange planet. Despite the fact that creatures from various Earth time periods inhabit the world, the natives possess metal swords, even though they should have no knowledge of such weaponry.

A romantic and funny fantasy about the events occurred during the building of a first railroad in Russia.

A talented girl from the provincial Russian town Pasha Stroganova dreams of becoming an actress. She plays the role of Baba Yaga in the amateur theatre — and does it so organically that the visiting filmmaker offers her the most difficult role in the historical drama about Joan of Arc. She was given not only great acting talent, but the talent of deep, selfless love. A dream comes true: she is invited to the main role, and she begins a completely different life, full of real creative torment, insights and true happiness.

Two Moscow students are mostly concerned with scoring with women but their lives change radically when one of them falls for a Jewish girl whose family is being persecuted by anonymous anti-Semites and is preparing to emigrate to Israel.

Nadya Klyueva is a single woman. Persuaded by her friend, she decides to charm her co-worker whom she doesn't really love, but who is the most popular man around.

Ardently falling in love with the daughter of a pawnbroker, dashing hussar could not imagine to what extent the future father-in-law is greedy. But the hussar was no fool and took the same old sensualist and hunks around your finger, producing money from him.

Artyom (Armen Dzhigarkhanyan) is a scientist who buries himself in his work after the woman he loves dies during the war. He is informed of his sweetheart's death by a young woman, and soon love blossoms between the lonely doctor and the emerging beauty. This is the big-screen debut of Margarita Terekhova in the popular film that was seen by over 20 million in the USSR.

Georgia, 1864. The Tsarist regime is using Cossacks to forcibly resettle Muslim Georgians to Turkey in order to steal their land. Meanwhile a Muslim girl falls in love with a Christian from the next village.

Vikings attack Kuksja's village, and end up bringing him along on their ship because they believe he is good luck. After proving himself in a battle against the dreaded Danes, chief Torir bestows upon him the name of Einar and takes him in as his son. Back home in Norway the men are received as heros, but new trouble arises when Kuksja falls in love with the beautiful Signy, who is already betroth to the vicious Sigurd.

Shakespeare's 17th century masterpiece about the "Melancholy Dane" was given one of its best screen treatments by Soviet director Grigori Kozintsev. Kozintsev's Elsinore was a real castle in Estonia, utilized metaphorically as the "stone prison" of the mind wherein Hamlet must confine himself in order to avenge his father's death. Hamlet himself is portrayed (by Innokenti Smoktunovsky) as the sole sensitive intellectual in a world made up of debauchers and revellers. Several of Kozintsev directorial choices seem deliberately calculated to inflame the purists: Hamlet's delivers his "To be or not to be" soliloquy with his back to the camera, allowing the audience to fill in its own interpretations.

A six-hour long epic (original director's cut) about the life of Don Cossacs in a village in southern Russia between 1912 and 1922. The leading character Grigori Melekhov is a rugged Cossac, who is torn between his first and true love Aksiniya, and his wife Natalya. Grigori Melekhov's personal life is shown as a rough journey through the experience of World War One, the Russian Revolution, and the following Civil War. The Cossacs are shown as traditional farmers and warriors, who are suffering through the most dramatic events in the history of Russia.

The true story of Ivan Sanchin, the KGB officer who was Stalin's private film projectionist from 1939 until the dictator's death. Told from Sanchin's view, the sympathetic but tragically flawed hero maintains unwavering faith in his "Master" despite the arrest of his neighbors and his involvement with their daughter, his wife's affair with the chilling State Security chief Lavrentii Beria and her tragic decline, and the deadly political machinations within the Kremlin he witnesses firsthand. Written by Martin H. Booda

ASSA is set in Crimea during the winter in the mid eighties. A young musician (Bananan) falls for mobster's (Krymov) young mistress (Alika). The parallel story line involves an 18th century assassination plot.