14 best movies like I Don't Love You (2012)

Survivors of a nuclear attack are grouped together for days in the basement of their apartment building, where fear and dwindling supplies wear away at their dynamic.

Alexandrina lives with her mother in a small provincial town and dreams of becoming a musician, like her father, Gena, who has not lived with his family for a long time: the difficulties of family life scared him away and he “ran away” to devote himself to music, but success passed him by, as well as family happiness. Gena wanders alone through the coastal towns, playing the guitar and singing on the streets, selling coffee on his food truck. Alexandrina is invited to audition at the Moscow Academy of Music. To do this, she needs to get from her coastal town to the capital. Unexpectedly, Gena offers his help - he has his own reasons to urgently leave the city ...

Summer. During the admission to the acting school, Lisa gets acquainted with one of the entrants and leads him to the sculpture workshop of her father, where they spend several days together. In a closed space, their relationship becomes a game. Without borders, without time, without skin. An intimate depiction of a passionate, and sometimes violent, relationship between two young actors at an acting school in St Petersburg.

A group of young people take part in a unique AI experiment in an attempt to create an absolutely impartial court of law. However, the experiment soon turns into an uncontrollable trial of the participants, revealing their true selves and the secrets they desperately try to hide.

Katya, a young girl from a good family, a student of philology is awarded a grant to study archives in Paris but instead of heading to Paris she travels to the Arab Emirates to start international modeling career…

Terror strikes the underground train system in Moscow in the form of a flood from a collapsed tunnel. The film follows a diverse group of Moscow citizens who find themselves trapped in the city’s underground rail network, their train derailed and virtually crushed after an aging tunnel collapses. Amongst this band of survivors is softly spoken surgeon Andrey (Sergei Puskepalis), whose wife is having an affair with the conceited businessman Vlad (Anatoly Beliy). Fate brings these two men together on the same doomed train, but there is little time to resolve their differences, as the tunnel begins to quickly fill with water, forcing them to work together with the others and find a way back to the surface.

A well-known civil servant from the Mayor's Office in a provincial Russian town receives a note: You'll soon die. He takes no notice, and gets ready for his normal Sunday – family problems, his personal life, work, other matters… But this Sunday turns out very far from normal. From the very start things come crashing down, smiting everything in its path, including all plans, external composure, and even his own life.

Having quarreled with his father Altan goes to work in the North. He will have to spend a month alone on a deserted island. But soon a neighbor appears. He is old Baibal who has come to the island to spend the last days of his life there. He asks Altan to bury him next to his wife. But the guy finds out that long ago the old man’s daughter went missing. He talks the old man into publishing an entertainment blog to find his daughter and put of the man’s death. Every day Altan does his best to stimulate the old man to live another beautiful day.

The creator of the best virtual reality games is convinced that in reality everyone and everything is controlled, but a chance meeting with a young activist opens his eyes to the fact that the world is much wider and more complicated than anything that he knows and understands about it.

Representatives of the Danish and world intellectual elite, the best minds of our time are going to a conference in Copenhagen to discuss the urgent "Iranian problem" — violation of rights and freedoms, daily executions, torture and military conflicts in the middle East. An orientalist, theologian, political scientist, military journalist, the wife of the Prime Minister (formerly a well-known TV presenter), writer, priest, famous conductor and Iranian poet — winner of the Nobel prize in literature take turns on the stage.

1999, Serbia is bombed and Kosovo region is left for plunder by bandits under command of Albanian warlord, Smuk. The removal of the human organs take place within the territories bandits have taken, the robberies, mass assassinations and genocide. Russian intelligence officer Bek Ethoev and former paratrooper turned mercenary Andrey Shatalov head a small detachment tasked with the dangerous mission to stop the terrorism, recapture the airfield used by the bandits and rescue Shatalov's love interest Yasna, who was captured to be harvested for organs, like the rest of the Serbian prisoners.

A group of Russian noblemen want to maintain the monarchy and plan to kill Rasputin.

The action takes place shortly after the end of the Second World War in the Siberian hinterland, among Russians and Germans with damaged personal stories and a strange transformation: the victors seem to be crawling into the skins of the defeated, and vice versa. Ignat, is the embodiment of the larger-than-life image of the Soviet victorious warrior who, in fact, proves to be shell-shocked, sick and broken, although not completely destroyed. Trains become fetish for the heroes of the film, and speed becomes a mania; they virtually become one with their steam engines, while the machines take on human names. The heroes set up an almost fatal race in the Siberian forest, risking their own lives and those of others.

Following a brawl, Captain Ignat, who is traumatised by the death of his daughter, is ordered together with a regular soldier to find a deserter and bring him back via Moscow to stand before a military court. Although they locate the young soldier, their journey across the wintry moloch that is Moscow is slow and tortuous. Before long, the unlikely trio find themselves drawn into a chaotic maelstrom of violence, corruption, criminality, degradation and squalidness. In the face of the monstrous malaise and everyday horror of life in Russia, the gradual breakdown of the film’s anti-hero becomes a metaphor for Russian society.