Soviet films about religion

Tenth grader Olya Ryzhkova can't find understanding among the people around her.

In a Carpathian village, Ivan falls in love with Marichka, the daughter of his father's killer. When tragedy befalls her, his grief lasts months; finally he rejoins the colorful life around him, marrying Palagna. She wants children but his mind stays on his lost love. To recapture his attention, Palagna tries sorcery, and in the process comes under the spell of the sorcerer, publicly humiliating Ivan, who then fights the sorcerer. The lively rhythms of village life, the work and the holidays, the pageant and revelry of weddings and funerals, the change of seasons, and nature's beauty give proportion to Ivan's tragedy.

¡Qué viva México! was a film project undertaken in 1931-32 by Soviet film-maker Sergei Eisenstein for American socialist author Upton Sinclair and several investors, which Eisenstein eventually conceived as an episodic portrayal of Mexican culture and politics from pre-Conquest civilization to the Mexican revolution. Over 200,000 feet of silent film were shot before production had to be stopped due to exhaustion of finances and Stalin's demands that Eisenstein return to the USSR. This is one of several attempts to make a feature film out of the existing footage, here according to Eisenstein's skeletal outline and under the supervision of Gregori Alexandrov, Eisenstein's long-time collaborator, including on this project.

An unexpected romance occurs for a female Red Army sniper and a White Army officer.

Shurik Timofeev builds a working model of a time machine. By accident, Ivan Bunsha, an apartment complex manager, and George Miloslavsky, a petty burglar, are transferred to 16th century Moscow, while Tsar Ivan the Terrible goes into the year 1973.

The Soviet-Hungarian film version of the biography of one of the most talented composers of our time, the classic of the Vienna operetta - Imre Kálmán, known for all his music for operettas "The Csárdás Princess", "Countess Maritza", "The Circus Princess", "The Violet of Montmartre", "Die Bajadere" and many others. The music of Imre Kálmán has no equal in operetta for its festivity, “elegance”, and the refinement of melodics and orchestration.

The 1975 film by Georgi Daneliya "Afonya" was an unexpected commercial hit in USSR. The main character "Afonya" Borshev is a plumber, who spends his life partying with "buddies", many of whom he doesn't even remember after nights of heavy drinking. His wife leaves him, his boss places him on probation, his whole life is falling apart, but he doesn't realize it. Afonya met Katya at a dance club, yet didn't pay her much attention. But she is the one, who can save him... In this movie Daneliya achieves a perfect balance of satire and drama. Quotes from the movie gained a cult status in USSR.

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Russian general have to find and bring back to St. Petersburg girl claiming her right to the throne...

An automotive highway is scheduled to be built through the territory of a garage cooperative. A special meeting of the cooperative takes place to reduce the number of garages. As all was already decided and arranged by the chairholder and the board, the decision passes easily at the meeting. But one unexpected event happens - the meeting room's entrance has been locked by an anonymous member and the key is missing...

A feature-publicistic film about the socio-political condition of the Soviet society at the end of the eghties.

Veronika and Boris come together in Moscow shortly before World War II. Walking along the river, they watch cranes fly overhead, and promise to rendezvous before Boris leaves to fight. Boris misses the meeting and is off to the front lines, while Veronika waits patiently, sending letters faithfully. After her house is bombed, Veronika moves in with Boris' family, into the company of a cousin with his own intentions.

Shown a life in the remote siberian village. Vasia, who never leave his family, village, comes to pass summer holiday on the Black Sea. New world, new people - so, hi's temted by a half-crazy woman (Raisa Zaharovna). And after short time Vasia returns to his wife and children.

On the eve of his fortieth anniversary Sergei Makarov looks back at his life and learns that he has achieved nothing. He was not able to be happy and to bring happiness to the closest people in his life, neither to his long-suffering wife nor young mistress nor friends nor work... It is about the men who never grew up and could not find themselves in the time of stagnation – gifted, charming, but infantile and lost, they never were able to realize themselves...

The film is based on the eponymous book, written by two former street gangsters - Grigori Belykh and Leonid Panteleyev. Film is set in the 1920s St. Petersburg, Russia. Streets of the city are full of the homeless boys. They are caught to be raised and educated at the correction school named after Dostoevsky. The boys are street smart and difficult. But the faculty stands up to the challenge. The teaches are being devoted and caring, and gradually win the respect of the most difficult kids. The school director Vicknixor is a refined intellectual, who becomes a role model for the boys.

It is the New Year's Eve and the employees of an Economics Institute are ready with their annual New Year's entertainment program. It includes a lot of dancing and singing, jazz band performance and even magic tricks. Suddenly, an announcement is made that a new director has been elected and that he is arriving shortly. Comrade Ogurtsov arrives in time to review and disapprove of the scheduled entertainment. To him, holiday fun has a different meaning. He imagines speakers reading annual reports to show the Institute's progress over the year, and, perhaps, a bit of serious music, something from the Classics, played by the Veterans' Orchestra. Obviously, no one wants to change the program a few hours before the show, much less to replace it with something so boring! Now everyone has to team up in order to prevent Ogurtsov from getting to the stage. As some of them trap Ogurtsov one way or another, others perform their scheduled pieces and celebrate New Year's Eve.

The movie takes us through the trials and tribulations of Petar I Petrovic, the man who united Montenegro in the 18th century and led them in the Battle of Krusi against a huge Turkish army to return victorious and pave the first path towards economic development.

Semyon Gorbunkov goes on a cruise with a smuggler on board. In Istanbul, he slips and breaks his arm. What he didn't know is that this was a signal for the gang of smugglers.

The film tells about the fighting everyday life of the crew of self-propelled guns during the liberation of Right-Bank Ukraine. Junior Lieutenant Maleshkin, an unshooted graduate of the school, commands the crew of the self-propelled gun SU-100. All the subordinates of Maleshkin are older than him and much more experienced. The authority of the young commander is tested at every step, he quarrels, then reconciles with his crew. In addition, Maleshkin is very dissatisfied with the battery commander, he now and then threatens to remove the sluggish young officer from the command. In the crew of Maleshkin, various troubles constantly occur: either the driver will catch the commandant’s eyes in an untidy, grimy look, then a combat grenade with a dropped check will be discovered in the car, or a breakdown will occur just at the moment the regiment enters the march.

A man travels around a city with a camera slung over his shoulder, documenting urban life with dazzling invention.

An ethnographic treasure that documents with visual bravado the harsh conditions of life in the isolated mountain village of Ushkul.

Anatoli Yefremovich Novoseltsev works in a statistics institution, whose director is an unattractive and bossy woman. An old friend of his, Yuri Grigorievich Samokhvalov, who gets appointed assistant director of the institution, wants to make Novoseltsev the head of the department but encounters objections from Ludmila Prokopievna Kalugina, the director. Samokhvalov then advises Novoseltsev to lightly hit on the boss. Ironically, Novoseltsev and Kalugina fall in love with each other...

Russian prisoners of war commandeer a tank and lead the Nazis on a cross-country chase in this World War II adventure drama. The Russians use their own tanks so the Nazis can use them as target practice to test a new anti-tank weapon. Knowing that death is near, the brave Russians run amok and tear down German monuments before heading out to a field where female slave laborers are working.

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A wizard invents characters who all come to life and start to arrive at his house: a King, his servants, a princes, a bear trapped in a man's body - the usual lot. The Plot mainly rotates around the bear, who the wizard had turned into a man. The Bear, who wishes to be a bear once again, can turn into his old self if he were to kiss a princess. It gets complicated when he falls in love with that princess, that arrived at the wizard's house. For how can they be together, if a single kiss will destroy their love?

In November, 1942, near the Volga, Stanlingrad is under siege of Commander Friederich Paulus and his 330,000 men. The Russian high command unleashes an operation to protect the Mishkova River to avoid that about four hundred tanks join Paulus' army. The Soviet artillery soldiers protect their position with their lives in a bloodshed with few survivors.

One of the most popular Soviet films of the 60th, "Devchata" is a perfect example of how to make a wonderful movie in the most difficult genre of comedy/romance. "Devchata" is funny, heartwarming, charmingly naive yet involving and moving. Nadezda Rumiantseva gives a star making performance as a teenager Tosya who came to work as a cook in a logging company located in the distant Siberain village with the long and snowy winter. On her first day, she meets Ilya (Nikolai Rybnikov), the most popular and attractive guy who is equally known for his success on the working place and with the girls. Ilya makes the bet with the friends that the new cook will fall in love with him in no later than two weeks...

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Serebryakov, a retired professor and his beautiful, much younger second wife, Yeléna, visit their country estate, which funds their urban lifestyle. Vanya, brother of the Professor's first wife, who manages the farm estate, and the local Doctor Astrov, both fall under Yelena's spell, while complaining of the endless ennui of their provincial existence. Astrov is an experienced physician who performs his job conscientiously, but has lost all idealism and spends much of his time drinking. Sofya, the Professor's daughter by his first wife, who works to keep the estate going with her uncle Vanya, meanwhile suffers from lack of esteem over what she sees as her own lack of beauty, and from an unrequited love for Dr. Astrov. Matters are brought to a head when the Professor announces his intention to sell the estate, Vanya and Sofya's home, to achieve a higher income for himself and his wife.

A kindergarten director Troshkin is a dead ringer for a criminal nicknamed "Docent" who stole the priceless...

This is a life story of three girlfriends from youth to autumn ages. Their dreams and wishes, love, disillusions...